Terror thrives off spatial awareness—think about the house in “Hereditary,” the winding hallways in “The Shining,” the cramped compartments of “Alien.” Emerson Moore’s “Escape the Field” makes a bold move and promptly falls on its face by cutting out that element, and sets its minimal horror in an ocean of corn. There’s no way out, and any evil force could be out there, but there’s also no consistency. Just a lot of corn. It’s ambitious, but with such hand-holding dramatic direction and a dreary visual palette that never creates terror out of random corn stalk sets, it couldn’t be more dull. “Escape the Field” is a survival story, in that it’s later salvaged by notes to make it more like an “Escape Room” spin-off.
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