Overlord Season 4 Episode 2 (ENGSUB)

Overlord Season 4 Episode 2 (ENGSUB)

Overlord Season 4 Episode 2: Episode 2
watch Overlord Season 4 Episode 2

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Summary Overlord Season 4 Episode 2:
 
In the year 2138, virtual reality gaming is booming. Yggdrasil, a popular online game is quietly shut down one day. However, one 
player named Momonga decides to not log out. Momonga is then transformed into the image of a skeleton as "the most powerful 
wizard." The world continues to change, with non-player characters (NPCs) beginning to feel emotion. Having no parents, friends, or 
place in society, this ordinary young man Momonga then strives to take over the new world the game has become.

Title: Overlord
Episode Title: Episode 2
Runtime: 00:24:14 minutes
Genre: Animation, Sci-Fi & Fantasy, Action & Adventure
Stars: Satoshi Hino, Yumi Hara, Sumire Uesaka, Manami Numakura, Akeno Watanabe, Aoi Yuki, Ayumu Murase, Ayane Sakura
Network: AT-X


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❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The 
verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the 
delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies 
specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, 
television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with 
streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, 
lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain 
content.Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the 
airwaves via a television signal.Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, 
screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and 
deliver the content. Livestreaming does not need to be recorded at the origination point, although it krequently is.Streaming is an 
alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or 
listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content 
before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live 
closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.


❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually 
for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to 
protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to 
limitations based on public interest considerations, such as the fair use doctrine in the United States.Some jurisdictions require 
“fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use 
or license the work, and who are commonly referred to as rights holders.[citation needed] These rights krequently include 
reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.Copyrights can 
be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a 
certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many 
countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works 
“cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 
years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing 
copyright, others recognize copyright in any completed work, without a formal registration.It is widely believed that copyrights 
are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and 
copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many 
examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.

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