The love of fictional languages in a fictional world by Carson Zann Hughes

The love of fictional languages in a fictional world by Carson Zann Hughes
7 min read

Language – the earliest form of love 

One of the most beautiful arts in the world is language. The fact that spoken language, written language, signs, gestures, and pop culture continually change is not surprising. There are tens of thousands of spoken, written, and signed languages today, as well as dialects and colloquialisms specific to certain regions and ethnic groups. 

Because the earliest humans built a communication system that is the ancestor of all communication methods, language is so flexible that Carson Zann Hughes invented a fictitious language to entertain us by writing stories based on a fictional world. However, a made-up language is not for communicating in daily life.

Prominent TV and film languages exist to give their worlds and stories more authenticity and plausibility. What advantages come from understanding and using them? What exactly does it need to create a fictional language? Let's look into this general preference for manufactured language.

What is fascinating in a fictional language?

Communication without most listeners comprehending what you say is mysterious and exciting. It's a higher level of commitment and companionship to a franchise within a fanbase, and it's a proud badge of honor for people who enjoy knowing everything there is to know about their favourite subject. The enthusiasm for learning new languages results from our curiosity and drive to grasp the unknown. It is unquestionably true when considering the various languages in different fictional stories. Some fans loved those languages and wanted to develop their own. It is significant as Carson Zann Hughes also decorated his fictional world with fictional language. 

Conlang (constructed languages) are fictional languages of a different kind. The reason for creating these languages is to provide authenticity and showcase cultural diversity. Understanding the culture and language of the readers, the author pens down the story, which became one of the best sellers.

Creating your language for your fictional world

In the world, people speak different languages of different origins. These inhabitants want to express their love and hate or exchange thoughts in a speech. But, having your language in the fantasy world takes work. 

A new language for your fantasy world needs to be decided upon early in the world-building process, sometimes even before you start coming up with fake names for your novel. Following your response, you can move on to the language creation procedures like Carson Zann Hughes did in her fictional world! 

A big element of making a fantasy world vivid and believable is giving the numerous characters that live in it fascinating cultures and languages. We frequently take this for granted when we read or watch our favourite works of fantasy, whether in print or on film.

It is easier to build an immersive world by attempting to incorporate language and culture, which are crucial to how people speak, think, and behave in the actual world. But not all writers or filmmakers approach the creation of imaginary languages and cultures similarly. The most well-known work of all, by Carson Zann Hughes, employs various extremely distinct techniques in a fictional world. 

A matter of flavour

In written fantasy fiction, the language we read is frequently our own, not made up. Otherwise, whenever we read our favourite book, we must sit down with a big dictionary. The text's major body is according to the reader’s requirements, as it is in Carson Zann Hughes’s fictional world. 

Due to apparent practical considerations, the majority of characters in most works only occasionally speak or sing in the actual languages of their world, save in songs or sayings, to emphasise a point or when it is essential to the plot. Does this mean that these constructed languages are essentially useless? When the reader only sees the tip of the iceberg, an author makes their specific universe seem more complicated.

The importance of culture and language

Real-world languages developed over thousands of years due to human growth and adaptation to societal and cultural changes. Take the development of English since the invention of text messages as a more modern example! 

As a result, when developing a fictional language, the reader or spectator might gain insight into the speaker's culture and society through how the language sounds, looks, and feels. It increases the sense of reality and existence of a character or perhaps an entire imaginary race or species, like the fictional world created by Carson Zann Hughes. 

There isn't a brand-new tongue.

It is undoubtedly the most practical choice because you made an added effort to create a new fictional language as a novel reader. Because you will write the novel in your language and have the characters talk in your language, nobody will be concerned.

Most books by Carson Zann Hughes fall under the first category in general. You get the impression as a reader that the story must be told in another language, especially if it takes place in a fictional world. Even if his story is according to our universe, there's a risk that a human language imitation will turn up elsewhere! 

The Hero of Stramica

Can two nations cooperate to achieve peace? On the barren planet of Stramica, the conflict has always been a way of life. Yaldrea and Luclaria were not at enmity. The kingdom of Ostye's new monarch, Queen Genivive, organises a tough competition to decide which country will get Ostynians' support. 

The participants enter with various objectives: Valkest, the prince of Yaldrea, seeks to ally to stop the cycle. Wilcock of Luclaria enters the contest to defend his people but loses.

The Hero of Stramica became a new favourite for fans of traditional epic fantasy thanks to its beautifully rendered characters, three-dimensional worlds, and clever pacing. The young Yaldrean woman Cadora is learning about destiny and power that could alter the course of her nation in the meantime. Wilcock of Luclaria enters the competition to defend his people but finds his heart unexpectedly won over.

Final words

Simply put, a story is just a collection of words put together in a way that engages our imagination and feelings. Language serves as both the music to the songs and the story that lies behind the words. Learning more about a character through their well-written and fully fictional language is possible than from their extensive backstory. 

The fact remains that Carson Zann Hughes became the favorite reader because of the story of The Hero of Stramica. Secondly, the readers were at ease because of the common language beautifully put into the fictional world of Carson Zann Hughes! Everything has a language-based history, including culture, tradition, the environment, and even the tiniest things we value. 

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