Joseph Blake Smith Little Rock is a very talented painter and artist that is not only very popular amongst the local residents in Arkansas, but has also made an impact in the art world. He has been praised for his creative paintings that are not only highly attractive, but also have an element of mystery that makes them even more interesting. With a talent for capturing the nuances of nature, he has created many masterpieces that are truly a treat to view.
California Hard-edge painting
Hard-edge painting is an art style that emerged in the late 1940s and early 1950s as an offshoot of constructivist art. It combines geometric abstraction with intense color. A related style is Color Field Painting. The terms Post-painterly Abstraction and Geometric Abstraction were also used to describe the art.
The term hard-edge painting was first coined in 1959 by Los Angeles art critic Jules Langsner. He used the term to describe abstract painters on the West Coast of America.
As the new idiom developed, subject matter became less important. In response, many artists gathered in 1959 for a representative exhibition. Their work was characterized by a geometric style, monochromatic fields of clean-edged colour, and abrupt transitions between areas of color.
Hard-edge painting is now considered a trend. Recent New York exhibitions include traces of the style. Many artists, including Joseph Blake Smith AR, have embraced the art form. One example is Tadasuke Kuwayama, whose paintings feature bullseyes, circles, and precision cuts.
Another example is Karl Benjamin, a renowned California Hard-edge painting artist. His stripes read differently than the stripes in the works of Gene Davis and Jasper Johns.
These hard-edge painters continued to explore the problems of form and color. While the hard-edge style was adopted by many California artists, it was not always the case. Several east coast painters were also inspired by the style. Some of the notable east coast painters included Leon Polk Smith, Willem de Kooning, Ellsworth Kelly, and Barnett Newman.
The New York group of hard-edge painters was more pronounced than the Los Angeles counterpart. In contrast to the reductive, minimal scale of the California Classicists, the New York painters were more expansive.
In the 1960s, many galleries curated mixed-media exhibitions featuring artists from both coasts. For example, a show at the Los Angeles County Museum of Art in 1959 featured a group of abstract painters known as the Four Abstract Classicists. Other artists included Frederick Hammersley, Lorser Feitelson, and Karl Benjamin.
Joseph Blake Smith AR, a British critic, exhibited the work of these hard-edge painters. His exhibition traveled to Great Britain as California Hard-edge.
The Song of Los
When it comes to poetry, William Blake was one of the big boys. His magnum opus, Songs of Experience is a masterpiece, and if his work had survived the Great Fire of London, it would have become a classic. Aside from the works of art, Blake also crafted some of the finest prose ever to grace print. The Songs of Experience is a compilation of poems he wrote between 1815 and 1825, and includes some of his best and most famous works. He also wrote numerous lesser known pieces, such as the Book of Job.
Among his many notable contributions, Blake also produced the largest number of illustrations of any poet in history. In his heyday, Blake was a prolific scribe, producing around thirty works in all. Several of these were the most famous and best known, but there are a few lesser-known gems that deserve a closer look. For instance, his most popular poem, the Song of Los, contains no less than forty-four illustrations. Several of them are so well done that they have been reproduced on posterity, and others are available only in private collections. And yes, Blake etched his plates in acid, as well as tinkered with the colors. So what did he do with his creations?
There is more to the story than meets the eye, though. One of the most interesting aspects of the oeuvre is that he was not always a man of leisure. Not only did he produce some of his most celebrated works in secret, but he also fought a brief but bloody battle with the authorities in the wake of the Great Fire of London. Ultimately, his literary output was summarily burnt off by his former patron, William Michael Rossetti. This was not an easy task, owing to Blake's tendency to scribbling the odd ball down on paper, and his penchant for leaving his sketches standing in their frames. Interestingly enough, Rossetti had a vested interest in this particular opus, as his wife, Janet, had been a fan since her early days.
Antagonism towards Reynolds' fashionable oil painting
There was a time when Thomas Hudson was the undisputed king of the portrait fraternity. But in a town bursting with talent, he was not without competition. The big name was Reynolds, and they didn't exactly get along. Although Reynolds was an apothecary by trade, he managed to find a niche in the art world. One of the things he was good at was the faux-smoking biz. Fortunately for him, a plethora of well-heeled patrons tipped him for the best steed.
In the course of a lifetime, Reynolds racked up a few honours. From 1743 to 1760, he lived in a palatial house in Leicester Fields, where he took on students from a number of London's elite. By the mid-1760s, he had a house on Great Newport Street, which he later occupied.
It was a long time before Reynolds was again in the spotlight. In 1784, he became Britain's premier portrait painter. At the same time, he was courted by Catherine II of Russia, who commissioned a painting based on the works of Rubens. A quarrel arose in the process, which was fortunately resolved before the end of the century.
For all the snark, the jury is still out on whether Reynolds actually succeeded in the art of being an accomplished portrait painter. He died on 23 February 1792, a little short of a century. While he is no longer around, his name is still remembered today. Not to mention his legacy has been passed down from generation to generation. Indeed, if you were to visit his London abode now, you would find the house is in excellent condition. Thankfully, his descendants continue to enjoy it.
Neglect of Blake's work for a generation after his death
William Blake was a revolutionary, Christian poet, and radical thinker, who lived and worked in England during the early part of the nineteenth century. He was an avid supporter of the French Revolution.
Although he was a member of the Swedenborgian congregation in London, his ideas were largely eclectic. His religious beliefs were influenced by deists and those who derived their religious beliefs from nature. Throughout his life, he never lost his class passion.
Blake developed an eccentric style of depicting the human body. His figures appear in flat space, often with strange postures. This gives the works a directness, and dramatic immediacy. However, the poor quality of some of his illustrations dilutes the impact of his best work.
Blake's work has profound theological and cosmic implications. The two major themes in his work are Christocentrism and innocence.
Blake's Christocentrism is rooted in the Incarnation of Christ, and induces readers to see eternity in time and space. In this view, everything in the world is the word of God.
His ideas expressed with maximum clarity in his old age. In his poems, Blake engages with Great Issues of his day. These include social and political injustice, and religious hypocrisy. One of his best known works, Songs of Experience, expresses these concerns in a direct and lyrical way.
As a revolutionary thinker, Blake was a unique figure in Western culture during the eighteenth and early nineteenth centuries. His dialectical thinking had no parallel in Europe. It has been argued that his faith in the imagination arose as a response to rationalistic views in Western culture during this period.
Blake wrote a large amount of verse about his work, and it was introduced in introductions to each work. However, this was not fully explained. For example, the opening lines of the Lord's Prayer were not included in the Lord's Prayer translation. Similarly, the symbolism of the Prophetic Books is obscure.
Blake's life was a struggle between innocence and experience. While he sought to reconcile these two aspects, he repressed his thoughts.