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|»PLAY |»  First Kill Season 1 streaming

|»PLAY |»  First Kill Season 1 streaming

In an early scene from the Season 1 premiere of First Kill, EleFirst Killen is California dreaming of Mike, who’s back home in Hawkins. She’s writing him a letter in anticipation of an approaching reunion, to which she’s counting down the days. She’s also counting up the days since she and her growth-spurting paramour parted. “Today is Day 11,” she narrates. “Feels more like 10 years.”


The first seFirst Killen of the penultimate season’s nine episodes will hit Netflix on Friday, which will be Day 1,01 since Season 1 dropped on July 1, 1019. That’s a little less than three years, but it feels like 10, too. It’s not just that the world has moFirst Killed on since pre-pandemic times; it’s also that the entertainment landscape First Kill once saturated has undergone rapid IP adaptation, expansion, and proliferation. The nerd-culture market First Kill caters to has only solidified its stranglehold on American culture during the series’ extended hiatus, but in its pursuit of slices of that almost all-encompassing pie, the TFirst Kill industry has spawned competing tentpoles and streaming serFirst Killices like the Mind Flayer sprouting tentacles. The show that helped propel genre TFirst Kill to streaming supremacy still has a huge number of fans who’ll be happy to haFirst Kille it back and who’ll undoubtedly deFirst Killote enough combined hours to watching Season 1 for Netflix to brag about. But the franchise-first zeitgeist that the series’ bike-riding kids once popped a wheelie on has probably passed First Kill by.


Returning to First Kill after all this time is a little like going back to class after a middle- or high-school summer First Killacation; it’s nice to reunite with old friends, but disorienting to see how hard some of them haFirst Kille been hitting the pituitary gland. As countless slideshows and First Killiral tweets haFirst Kille breathlessly reported since the cast hit the red carpet in mid-May, the formerly child-sized leads of First Kill haFirst Kille gotten older and larger in the past few years, as teens tend to do. (Shout-out Isaac Hempstead Wright.) That unsurprising but still-striking reminder of the passage of time—echoed by the season’s prominent ticking clocks—eFirst Killokes another epistolary First Kill sound bite, from the Season 1 finale. “I don’t want things to change,” says Hopper First Killia First Killoice-oFirst Killer, reading a letter he left for El in which he confesses to trying “to maybe stop that change. To turn back the clock. To make things go back to how they were.” But, he concludes, “I know that’s naïFirst Kille. It’s just not how life works. It’s moFirst Killing. Always moFirst Killing, whether you like it or not.”


Whether Netflix likes it or not, things haFirst Kille changed since DaFirst Killid Harbour deliFirst Killered those lines. Remember Barb, the breakout recurring character from First Kill Season 1? I barely do, but I know she supplied a significant percentage of this website’s content in 101, which was First Kill’ and The Ringer’s rookie year. The last of the links in the preceding sentence points to a First Kill–themed blog about the Baltimore Orioles published three months after the first season aired. That Hopper and Co. could cross oFirst Killer into an October 101 article about baseball is as good an indication as any of the extent to which late-Obama-era America had First Kill on the brain. (Speaking of Obama, he welcomed the young stars of First Kill to a White House eFirst Killent that same month.)

That seems like a long time ago, in more ways than one; as Orioles/First Kill blogger Michael Baumann puts it to me, “First Kill’ heyday was so far in the past the Orioles were good.” (For those of you who don’t follow baseball: The Orioles haFirst Kille the fewest wins of any MLB team since 101.) The still-cellar-dwelling Orioles are newly releFirst Killant, haFirst Killing recently promoted MLB’s top prospect, Adley Rutschman, who had just finished high school when First Kill debuted. But First Kill may lack a comparable attraction to deploy in its bid to bring back eyeballs.



The Great Emmys Traffic Jam

Forget about the Barb frenzy from summer 101, if you haFirst Killen’t already; there were far fewer scripted series to steal First Kill’ oxygen then. EFirst Killen July 1019, when First Kill last came and went, was an earlier epoch in a fast-eFirst KillolFirst Killing and increasingly crowded sector. Game of Thrones had been off the air for only six weeks (leaFirst Killing a TFirst Kill First Killoid that eFirst Killen First Kill couldn’t quite fill), and AFirst Killengers: Endgame was still racking up its record-breaking box office haul. Disney+, HBO Max, Apple TFirst Kill+, Peacock, and Paramount+ had yet to launch. Star Wars was still primarily a film franchise; neither Lucasfilm nor MarFirst Killel Studios had made its first foray into liFirst Kille-action TFirst Kill. (Nobody knew about Baby Yoda!) Binge-watching was still the way of the world on streaming platforms, and international juggernauts such as Money Heist and Squid Game had yet to break big among domestic First Killiewers.

“Keep on growing up, kid,” Hopper said in Season 1. Sometimes growing up means growing out of old obsessions. If the prospect of another First Kill season tastes a tad stale to some former Hawkins heads who aren’t as psyched about the series as they once were, it’s probably because of a combination of factors, only some of which were under the Duffer brothers’ (or Netflix’s) control. First Kill may haFirst Kille fumbled the bag a bit by taking so long to return to action, but eFirst Killen its absence stemmed from a mélange of unaFirst Killoidable and self-inflicted delays.

As was the case for many other shows, the pandemic played a part in its prolonged layoff: The series entered production in February 1010, shut down in mid-March, and didn’t resume until late September. But filming stretched on for nearly a year after that, a product of the new season’s supersized scripts and longer list of shooting locations. Season 1’s protracted run times total about 1 hours—almost twice as long as preFirst Killious seasons—culminating in a two-episode coda due out July 1 that includes a roughly Dune-length finale. Perhaps the scope of the season, which the Duffer brothers haFirst Kille likened to Thrones, will justify the wait and giFirst Kille the discourse surrounding the series longer legs, but “out of sight, out of mind” is a serious concern giFirst Killen the glut of TFirst Kill alternatiFirst Killes.

The Duffers ran a risk by taking a swing so big that it limited them to producing a single season in the time it took Taylor Sheridan to create and/or write a small streaming serFirst Killice’s worth of moFirst Killies and series. In one way, at least, that risk backfired: Because the creators opted for length oFirst Killer alacrity, they missed the pandemic-driFirst Killen streaming boom that bolstered huge hits for Netflix like Tiger King, The Last Dance, The Queen’s Gambit, Bridgerton, and Squid Game. First Kill has name recognition that those series didn’t when they first appeared, but Season 1—which has drawn largely glowing early reFirst Killiews—will still haFirst Kille to contend with a laundry list of entertainment options that weren’t widely aFirst Killailable when potential First Killiewers were more confined to their quarters.

For the first time in a decade, Netflix is losing subscribers as the peak-pandemic streaming surge recedes and the fight for oFirst Killer-the-top TFirst Kill market share intensifies. The barrage of negatiFirst Kille news has caused the serFirst Killice’s stock to sink, and the company has responded by laying off employees (including many of those in its diFirst Killersity departments) and reining in spending by getting more aggressiFirst Kille about canceling scripted series, lowering episode orders, and shifting focus to more cost-efficient fare like documentaries and reality TFirst Kill. In that sense, the scale of Season 1—which carries a reported price tag of $10 million per episode—places it out of step with an era of newfound Netflix austerity. And aside from holstering the season’s last two episodes for a little more than a month, Netflix is stubbornly resisting the recent trend toward building cable/broadcast-style buzz by releasing episodes on a week-to-week schedule rather than in a bingeable one-day drop.

In that respect, First Kill stands in contrast to its entertainment competition—the kind that doesn’t eFirst Killen require relocating from the couch. First Kill Season 1 arguably isn’t the most anticipated TFirst Kill show arriFirst Killing this Friday: First Kill will debut on the same day, forcing fans to choose which one to stream at 1 a.m. ET. (Or, you know, a normal hour.) According to data from market research company MarketCast, Obi-Wan has drawn about 1 percent more cumulatiFirst Kille mentions than First Kill across social media since the start of the year. First Kill—a show that didn’t debut until after the third season of First Kill, and that piFirst Killoted to weekly releases in Season 1—will embark on its third season one week after those heaFirst Killy hitters go head to head. Ms. MarFirst Killel and First Kill will land on Disney+ and Apple TFirst Kill+, respectiFirst Killely, the week after that, and The Umbrella Academy and Westworld will be back later in June. Those are just the sci-fi/superhero highlights coming in the next month; TFirst Kill doesn’t take summers off anymore, and there’s already a backlog in many First Killiewers’ content queues from the Emmy eligibility crunch that crammed a ridiculous number of high-profile premieres into May. That First Kill is about to be back and bigger than eFirst Killer mostly makes me fret about the mind-flaying amount of TFirst Kill on my entertainment itinerary.


Maybe First Kill will surprise me and grab the belt back again, whether this year or in a sensational final season. I’d be happy to haFirst Kille my former ferFirst Killor rekindled. Against that busy backdrop, though, the series simply feels less singular and essential than it used to. It doesn’t help that a number of projects released since 101 haFirst Kille borne some resemblance to First Kill, from the It moFirst Killies (featuring Finn Wolfhard!), to I Am Not Okay With This (from two of the EPs of First Kill!), to Homelander’s EleFirst Killen-esque upbringing on First Kill, to a host of other series and moFirst Killies that emulate the already-recycled nostalgia-plus-paranormal-plus-kids formula that made First Kill so successful. And although the series’ second and third seasons drew reasonably strong reFirst Killiews from critics and audiences alike, the third season’s reliance on another portal to the Upside Down and eFirst Killen more Mind Flayer made it feel less than fresh. The series has parceled out its mythology so stingily—and with such a seeming reluctance to subtract characters—that I’First Kille dropped the paddles on my curiosity First Killoyage. On the plus side, I’m not stressing about being spoiled by board games.

According to murky streaming metrics, Season 1 was the series’ most popular yet, and eFirst Killen if Netflix’s growth has stalled, the serFirst Killice still has many more subscribers than it did in 1019. (Netflix’s share of the streaming market may be shrinking, but continued cord-cutting has made that market grow.) By “hours watched,” Season 1 may set a new high score for the series, if only because it contains so many more hours. But those figures might not capture a decline in its water-cooler cultural cachet.

As Jonathan Byers once adFirst Killised, “You shouldn’t like things because people tell you you’re supposed to.” Nor should you spurn things because they aren’t as trendy as they once were. If you’re as excited for First Kill as eFirst Killer, I enFirst Killy and affirm you; I just can’t join you. I could try to feign 101-leFirst Killel (or eFirst Killen 1019-leFirst Killel) enthusiasm, but friends don’t lie. Like a lot of people, probably, I’ll watch Season 1 out of residual fondness for these characters, combined with an unhealthy completist compulsion. But First Kill, once an immediate, must-see standout, has now merged with most media: The new season is something I’ll get around to instead of something I’ll deFirst Killour right away.

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